Checklist the per-video bar — engine/sim
98.5/100
quantitative quality · weights learn from your reviews (
engine.sim.memory review topic-mm-commercial good|bad)⚠ 1 flag(s) — not yet ship-ready: generic_scene · see docs/strategy/VIDEO-CHECKLIST.md
Composition comp · template family · expected output
9:16 Reelrendered1:1 Squarepending16:9 Widepending9:16 4Kpending1:1 4Kpending16:9 4KpendingGIF (SMS)pending
expected output: 1/7 rendered — same matrix the /media preview surfaces for this asset.
Composition layer × scene 9 scenes · 58.3s · comp_id + rendered still + tier + the script
| # | Layer (comp_id · still · tier) | Beat | Timecode | Motion | Logo | Audio | VO / on-screen / caption |
|---|---|---|---|---|---|---|---|
| 1 |  matches intent shared field signature-3d | open | 0–6.1s | spatial-parallax | icon·white-knockout | ♪ — | A good commercial looks effortless, which is the trick. The Big T-M is going to show you every gear behind it. on-screen: A commercial, demystified |
expected on screen: black ground · octa hero in the shared Signal Field · Lumen leads · node-graph · spatial-parallax · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual node-graphshape octaground blacktreatment white-knockoutmotion spatial-parallaxpower summoninstrument summon→three-mark | |||||||
| 2 |  matches intent ListCard template | legacy | 6.1–11.8s | crossfade-8f | icon·ember-fill | ♪ — | The old way was shoot a pretty thirty seconds and hope it sold something. Pretty is not a strategy. on-screen: The old way: shoot, then hope |
expected on screen: black ground · a ListCard panel over a dimmed Signal Field · Lumen leads · crossfade-8f · icon·ember-fill logo · caption bottom-left spec (the prompt): comp_id ListCardshape octaground blacktreatment ember-fillmotion crossfade-8fpower morphinstrument decay→three-symboliccurate items | |||||||
| 3 |  matches intent NumberedList template | teach | 11.8–18.3s | kinetic-build | icon·wireframe | ♪ — | Start with a single promise the spot has to land. If you can't say it in one line, the edit won't either. on-screen: Step 1: one promise |
expected on screen: black ground · a NumberedList panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id NumberedListvisual node-graphshape octaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→html-in-canvas-panelcurate items, nodes | |||||||
| 4 |  matches intent ChecklistCard template | teach | 18.3–25.0s | kinetic-build | icon·white-knockout | ♪ — | Then storyboard the beats, hook in the first three seconds. We block every shot before anyone touches a camera. on-screen: Step 2: storyboard the beats |
expected on screen: black ground · a ChecklistCard panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id ChecklistCardvisual node-graphshape octaground blacktreatment white-knockoutmotion kinetic-buildpower morphinstrument morph+laser→three-diagramcurate items, nodes | |||||||
| 5 |  matches intent NodeGraphCard template | teach | 25.0–31.4s | kinetic-build | icon·liquid-chrome | ♪ — | On set we shoot for the edit, grabbing coverage and inserts so the cut has options, not regrets. on-screen: Step 3: shoot for the cut |
expected on screen: black ground · a NodeGraphCard panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·liquid-chrome logo · caption bottom-left spec (the prompt): comp_id NodeGraphCardvisual node-graphshape octaground blacktreatment liquid-chromemotion kinetic-buildpower morphinstrument morph+laser→html-in-canvas-codecurate hub, nodes | |||||||
| 6 |  matches intent FlowSchematic template | teach | 31.4–38.3s | kinetic-build | icon·ember-fill | ♪ — | In post we cut once long, then trim platform versions. We render the variants in Remotion from one master. on-screen: Step 4: nine cuts, one shoot |
expected on screen: black ground · a FlowSchematic panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·ember-fill logo · caption bottom-left spec (the prompt): comp_id FlowSchematicvisual node-graphshape octaground blacktreatment ember-fillmotion kinetic-buildpower morphinstrument morph+laser→three-flowcurate nodes, stages | |||||||
| 7 |  first render · fix pending ComparisonTable templategeneric_scene | proof | 38.3–45.199999999999996s | receipts-count | icon·wireframe | ♪ — | One shoot became nine sized, captioned cuts in a day. (Placeholder number — swap in the real delivery count.) on-screen: 1 shoot to 9 platform cuts |
expected on screen: black ground · a ComparisonTable panel over a dimmed Signal Field · Lumen leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id ComparisonTablevisual receiptsshape octaground blacktreatment wireframemotion receipts-countpower receiptsinstrument spotlight→html-in-canvas-receiptscurate colA, colB, rows, statsLabels | |||||||
| 8 |  matches intent shared field signature-3d | futurist | 45.2–52.1s | spatial-parallax | icon·white-knockout | ♪ — | Now the gaps fill themselves. We generate matching b-roll with tools like Kling when a shot's missing on set. on-screen: Next: AI b-roll on demand |
expected on screen: black ground · octa hero in the shared Signal Field · Lumen leads · spatial-parallax · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldshape octaground blacktreatment white-knockoutmotion spatial-parallaxpower spatial-parallaxinstrument laser-fire→three-forward | |||||||
| 9 |  matches intent shared field signature-3d | resolve | 52.1–58.300000000000004s | coalescence | icon·white-knockout | ♪ swell | That's a commercial, start to finish, nothing hidden. See the full build at temerarii.xyz. on-screen: See the build: temerarii.xyz |
expected on screen: black ground · octa hero in the shared Signal Field · Lumen leads · coalescence · coalescence · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual coalescenceshape octaground blacktreatment white-knockoutmotion coalescencepower coalescenceinstrument coalescence→three-coalescence | |||||||
Format stack 3 aspects · same scenes[], re-cropped
9:16
1080×1920
Stories · TikTok · YouTube Shorts · Reels
1:1
1080×1080
LinkedIn · Facebook · Instagram
16:9
1920×1080
X/Twitter · YouTube · LinkedIn video
Channels 12 destinations
LinkedInX/TwitterYouTubeInstagramFacebookThreadsTikTokPinterestBlueskyEmailSMSBlog
Social captions supplemental published copy · per channel (comp_id level)
tiktokA good commercial looks effortless, which is the trick. Here is every gear behind it: start with a single promise the spot has to land, because if you cannot say it in one line, the edit will not either. Storyboard the beats with the hook in the first three seconds and block every shot before the camera. On set, shoot for the edit so the cut has options. Then cut once long and trim platform versions, rendering nine sized cuts from one master in Remotion. AI-assisted.
instagramA good commercial looks effortless.
That is the trick. Here are the gears:
- One promise, said in a line
- Storyboard the beats, hook in 3s
- Shoot for the edit
- Nine platform cuts from one master
Nothing hidden. temerarii.xyz
#commercial #videoproduction #temerarii #remotion #editing
linkedinA good commercial looks effortless, which is the trick. Here is every gear behind it.
The old way was shoot a pretty thirty seconds and hope it sold something. Pretty is not a strategy. The build instead:
1. One promise. Start with a single line the spot has to land. If you cannot say it in one line, the edit will not either.
2. Storyboard the beats. Hook in the first three seconds. Block every shot before anyone touches a camera.
3. Shoot for the cut. Grab coverage and inserts on set, so the edit has options, not regrets.
4. Nine cuts, one shoot. Cut once long, then trim platform versions, rendering the variants in Remotion from one master.
The takeaway: one shoot can become nine sized, captioned cuts when the plan comes before the camera.
See the full build at temerarii.xyz
xA good commercial looks effortless. That is the trick.
Start with one promise. Storyboard the beats, hook in 3s. Shoot for the edit. Then render nine platform cuts from one master in Remotion.
Nothing hidden. temerarii.xyz
facebookA good commercial looks effortless, which is exactly the trick. Here is every gear behind it. Start with a single promise the spot has to land, because if you cannot say it in one line the edit will not either. Storyboard the beats with the hook in the first three seconds and block every shot before the camera. On set, shoot for the edit so the cut has options. Then cut once long and render nine sized, captioned platform versions from one master in Remotion. See the full build at temerarii.xyz
threadsA good commercial looks effortless, which is the trick.
Start with one promise the spot has to land. Storyboard the beats with the hook in the first three seconds. Shoot for the edit so the cut has options. Then cut once long and render nine platform versions from one master in Remotion.
Nothing hidden. temerarii.xyz
pinterestCommercial production method: how a polished spot is actually built, nothing hidden. Start with a single promise the spot has to land. Storyboard the beats with the hook in the first three seconds and block every shot before the camera rolls. Shoot for the edit so the cut has options, not regrets. Then cut once long and trim platform versions, rendering nine sized and captioned cuts from one master in Remotion. The full video production workflow, start to finish. temerarii.xyz
blueskyA good commercial looks effortless. That is the trick.
Start with one promise. Storyboard the beats, hook in 3s. Shoot for the edit. Then render nine platform cuts from one master in Remotion.
Nothing hidden. temerarii.xyz
youtubeA Commercial, Demystified: One Promise, One Shoot, Nine Platform Cuts
A good commercial looks effortless, which is the trick. The old way was shoot a pretty thirty seconds and hope it sold something. Pretty is not a strategy. Here is every gear behind it.
The build:
- One promise. Start with a single line the spot has to land. If you cannot say it in one line, the edit will not either
- Storyboard the beats. Hook in the first three seconds. Block every shot before anyone touches a camera
- Shoot for the cut. Grab coverage and inserts on set, so the edit has options, not regrets
- Nine cuts, one shoot. Cut once long, then trim platform versions, rendering the variants in Remotion from one master
- When a shot is missing on set, generate matching b-roll with a tool like Kling
One shoot can become nine sized, captioned cuts when the plan comes before the camera.
See the full build at temerarii.xyz