Checklist the per-video bar — engine/sim
96.7/100
quantitative quality · weights learn from your reviews (
engine.sim.memory review topic-brand-pos good|bad)⚠ 2 flag(s) — not yet ship-ready: copy_generictoo_complex · see docs/strategy/VIDEO-CHECKLIST.md
Composition comp · template family · expected output
9:16 Reelrendered1:1 Squarepending16:9 Widepending9:16 4Kpending1:1 4Kpending16:9 4KpendingGIF (SMS)pending
expected output: 1/7 rendered — same matrix the /media preview surfaces for this asset.
Composition layer × scene 9 scenes · 54.8s · comp_id + rendered still + tier + the script
| # | Layer (comp_id · still · tier) | Beat | Timecode | Motion | Logo | Audio | VO / on-screen / caption |
|---|---|---|---|---|---|---|---|
| 1 |  matches intent shared field signature-3d | open | 0–6.1s | spatial-parallax | icon·white-knockout | ♪ — | All the marketing leads to one moment: the shelf, where your packaging makes the last pitch alone. on-screen: The shelf is the final pitch |
expected on screen: black ground · icosa hero in the shared Signal Field · Signum leads · node-graph · spatial-parallax · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual node-graphshape icosaground blacktreatment white-knockoutmotion spatial-parallaxpower summoninstrument summon→three-mark | |||||||
| 2 |  matches intent WireframeMock template | legacy | 6.1–11.399999999999999s | crossfade-8f | icon·wireframe | ♪ — | The old way was guessing in a quiet studio what would pop on a loud, crowded shelf. on-screen: Old way: guess what stands out |
expected on screen: black ground · a WireframeMock panel over a dimmed Signal Field · Signum leads · crossfade-8f · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id WireframeMockshape icosaground blacktreatment wireframemotion crossfade-8fpower morphinstrument decay→three-symbolic | |||||||
| 3 |  matches intent NumberedList template | teach | 11.4–17.9s | kinetic-build | icon·wireframe | ♪ — | Step one, we capture the actual shelf, the competitors, the lighting, the clutter you're fighting against. on-screen: Step 1: photograph the real shelf |
expected on screen: black ground · a NumberedList panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id NumberedListvisual node-graphshape icosaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→html-in-canvas-panelcurate items, nodes | |||||||
| 4 |  matches intent ChecklistCard template | teach | 17.9–25.099999999999998s | kinetic-build | icon·wireframe | ♪ — | Step two, we composite the new design straight into that shelf photo with an image model, so we judge it in context. on-screen: Step 2 |
expected on screen: black ground · a ChecklistCard panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id ChecklistCardvisual node-graphshape icosaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→three-diagramcurate items, nodes | |||||||
| 5 |  matches intent CheatSheet template | teach | 25.1–30.400000000000002s | kinetic-build | icon·wireframe | ♪ — | Step three, we run an attention check to see what the eye hits first in that busy frame. on-screen: Step 3: model the first-glance read |
expected on screen: black ground · a CheatSheet panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id CheatSheetvisual node-graphshape icosaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→html-in-canvas-codecurate nodes, points, uses | |||||||
| 6 |  matches intent PipelineMap template | teach | 30.4–36.699999999999996s | kinetic-build | icon·wireframe | ♪ — | Step four, we generate the few variants that survive the glance test and skip the dozens that wouldn't. on-screen: Step 4: build the variants that win |
expected on screen: black ground · a PipelineMap panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id PipelineMapvisual node-graphshape icosaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→three-flowcurate nodes, stages | |||||||
| 7 |  matches intent ComparisonTable template | proof | 36.7–42.300000000000004s | receipts-count | icon·wireframe | ♪ — | We show the design photographed on a real shelf next to the competition, not floating in white. on-screen: Receipts: read in the wild |
expected on screen: black ground · a ComparisonTable panel over a dimmed Signal Field · Signum leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id ComparisonTablevisual receiptsshape icosaground blacktreatment wireframemotion receipts-countpower receiptsinstrument spotlight→html-in-canvas-receiptscurate colA, colB, rows, statsLabels | |||||||
| 8 |  matches intent shared field signature-3d | futurist | 42.3–47.699999999999996s | spatial-parallax | icon·wireframe | ♪ — | Soon you simulate the full aisle and test a design against it before a single unit is printed. on-screen: Next: test the shelf before you print |
expected on screen: black ground · icosa hero in the shared Signal Field · Signum leads · spatial-parallax · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldshape icosaground blacktreatment wireframemotion spatial-parallaxpower spatial-parallaxinstrument laser-fire→three-forward | |||||||
| 9 |  matches intent shared field signature-3d | resolve | 47.7–54.800000000000004s | coalescence | icon·white-knockout | ♪ swell | Before your next packaging sign-off, composite it onto a real shelf photo and judge it honestly. That's the step. on-screen: Mock your pack on the real shelf |
expected on screen: black ground · icosa hero in the shared Signal Field · Signum leads · coalescence · coalescence · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual coalescenceshape icosaground blacktreatment white-knockoutmotion coalescencepower coalescenceinstrument coalescence→three-coalescence | |||||||
Format stack 3 aspects · same scenes[], re-cropped
9:16
1080×1920
Stories · TikTok · YouTube Shorts · Reels
1:1
1080×1080
LinkedIn · Facebook · Instagram
16:9
1920×1080
X/Twitter · YouTube · LinkedIn video
Channels 12 destinations
LinkedInX/TwitterYouTubeInstagramFacebookThreadsTikTokPinterestBlueskyEmailSMSBlog
Social captions supplemental published copy · per channel (comp_id level)
tiktokAll your marketing leads to one moment: the shelf, where your packaging pitches alone. (AI-assisted) Stop guessing in a quiet studio. Photograph the real shelf with its clutter and lighting, composite your design into that photo with an image model, then run a first-glance attention check. Before your next packaging sign-off, mock it on a real shelf and judge it honest.
instagramThe shelf is the final pitch.
Your packaging makes it alone.
Stop guessing in a quiet studio.
Photograph the real, crowded shelf.
Composite your design into that photo.
Check what the eye hits first.
Mock your pack on a real shelf before sign-off.
#packagingdesign #shelfimpact #brandpackaging #retaildesign
linkedinPackaging that looks great in a studio can still die on a crowded shelf.
All the marketing leads to one moment: the shelf, where your packaging makes the last pitch alone. The old way was guessing what would stand out. Here is the method we use:
1. Photograph the actual shelf: the competitors, the lighting, the clutter you are fighting.
2. Composite the new design straight into that shelf photo with an image model, so you judge it in context.
3. Run an attention check to see what the eye hits first in that busy frame.
4. Generate only the variants that survive the glance test, and skip the dozens that would not.
The takeaway: before your next packaging sign-off, composite it onto a real shelf photo and judge it honestly.
xPackaging that wins in a quiet studio can still die on a crowded shelf. Photograph the real shelf, composite your design into that photo, then check what the eye hits first. Judge it in context, not floating in white.
facebookAll your marketing leads to one moment: the shelf, where your packaging makes the last pitch alone.
The old way was guessing in a quiet studio what would stand out. Instead: photograph the real shelf with its clutter and lighting, composite your new design into that photo with an image model, and run an attention check for what the eye hits first.
Before your next packaging sign-off, mock it on a real shelf and judge it honestly.
threadsThe shelf is the final pitch. Your packaging makes it alone.
The old way was guessing in a quiet studio. Instead: photograph the real shelf with its clutter, composite your design into that photo, then check what the eye hits first.
Judge it in context, not floating in white.
pinterestPackaging design method: test a design on a real shelf before you print. Photograph the actual retail shelf with competitors and lighting, composite your new packaging into that photo with an image model, and run a first-glance attention check to see what the eye hits first. Judge packaging in real context, not floating in white.
blueskyPackaging that wins in a quiet studio can still die on a crowded shelf. Photograph the real shelf, composite your design into that photo, then check what the eye hits first. Judge it in context, not floating in white.
youtubePackaging That Survives the Shelf: Test a Design Before You Print
All the marketing leads to one moment: the shelf, where your packaging makes the last pitch alone. The old way was guessing in a quiet studio what would pop on a loud, crowded shelf. Here is the method instead: capture the actual shelf, the competitors, the lighting, the clutter you are fighting; composite the new design straight into that shelf photo with an image model so you judge it in context; run an attention check to see what the eye hits first in that busy frame; and generate only the few variants that survive the glance test. We show the design photographed on a real shelf next to the competition, not floating in white. What is next: simulating the full aisle and testing a design against it before a single unit is printed. Before your next packaging sign-off, composite it onto a real shelf photo and judge it honestly.