Checklist the per-video bar — engine/sim
84.3/100
quantitative quality · weights learn from your reviews (
engine.sim.memory review social-W29-Mon-1 good|bad)⚠ 4 flag(s) — not yet ship-ready: copy_generictoo_complexdup_sequence_across_assetsdup_set_across_assets · see docs/strategy/VIDEO-CHECKLIST.md
Composition comp · template family · expected output
9:16 Reelpending1:1 Squarepending16:9 Widepending9:16 4Kpending1:1 4Kpending16:9 4KpendingGIF (SMS)pending
render pending — silent master not yet on disk
expected output: 0/7 rendered — same matrix the /media preview surfaces for this asset.
Composition layer × scene 9 scenes · 63.3s · comp_id + rendered still + tier + the script
| # | Layer (comp_id · still · tier) | Beat | Timecode | Motion | Logo | Audio | VO / on-screen / caption |
|---|---|---|---|---|---|---|---|
| 1 |  matches intent shared field signature-3d | open | 0–6.3s | spatial-parallax | icon·wireframe | ♪ bed_in | A short title animation used to cost a week of an artist nudging keyframes by hand. on-screen: Motion used to take a week |
expected on screen: black ground · icosa hero in the shared Signal Field · Signum leads · node-graph · spatial-parallax · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual node-graphshape icosaground blacktreatment wireframemotion spatial-parallaxpower summoninstrument summon→Motion used to take a week | |||||||
| 2 |  matches intent shared field signature-3d | hook | 6.3–12.899999999999999s | kinetic-build | icon·ember-fill | ♪ node_lock | Now we write the motion as code, so the computer does the nudging and never gets tired. on-screen: Now we write motion as code |
expected on screen: black ground · icosa hero in the shared Signal Field · Signum leads · mark · kinetic-build · icon·ember-fill logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual markshape icosaground blacktreatment ember-fillmotion kinetic-buildpower laser-lockinstrument laser-trace→Now we write motion as code | |||||||
| 3 |  matches intent NumberedList template | teach | 12.9–19.9s | kinetic-build | icon·wireframe | ♪ node_lock | We build the graphic in React and let a library turn each frame into a picture, on demand. on-screen: Animate with real React, not a timeline |
expected on screen: black ground · a NumberedList panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id NumberedListvisual node-graphshape icosaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→Animate with real React, not a timelinecurate items, nodes | |||||||
| 4 |  matches intent RankList template | proof | 19.9–26.9s | receipts-count | icon·white-knockout | ♪ node_lock | A single spring value drives every element, so the whole scene moves like one breath instead of ten. on-screen: One spring, every element agrees |
expected on screen: black ground · a RankList panel over a dimmed Signal Field · Signum leads · receipts · receipts-count · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id RankListvisual receiptsshape icosaground blacktreatment white-knockoutmotion receipts-countpower receiptsinstrument spotlight→One spring, every element agreescurate rows, statsLabels | |||||||
| 5 |  matches intent TerminalRun template | diff | 26.9–35.0s | crossfade-8f | icon·liquid-chrome | ♪ node_lock | The Big T-M keeps motion in version control, so we can undo a bad idea the way you undo a typo. on-screen: We version motion like software |
expected on screen: black ground · a TerminalRun panel over a dimmed Signal Field · Signum leads · code · crossfade-8f · icon·liquid-chrome logo · caption bottom-left spec (the prompt): comp_id TerminalRunvisual codeshape icosaground blacktreatment liquid-chromemotion crossfade-8fpower morphinstrument morph→We version motion like softwarecurate codeLines | |||||||
| 6 |  matches intent ChecklistCard template | teach | 35.0–42.0s | kinetic-build | icon·ember-fill | ♪ node_lock | Change one prop, like the brand color, and every video in the set re-renders to match by morning. on-screen: Change a prop, re-render the batch |
expected on screen: black ground · a ChecklistCard panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·ember-fill logo · caption bottom-left spec (the prompt): comp_id ChecklistCardvisual node-graphshape icosaground blacktreatment ember-fillmotion kinetic-buildpower morphinstrument morph+laser→Change a prop, re-render the batchcurate items, nodes | |||||||
| 7 |  matches intent StatScoreboard template | proof | 42.0–49.7s | receipts-count | icon·wireframe | ♪ node_lock | That is how a hundred channel cuts stay on brand: they all read from the same single source of truth. on-screen: A hundred cuts, one source of truth |
expected on screen: black ground · a StatScoreboard panel over a dimmed Signal Field · Signum leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id StatScoreboardvisual receiptsshape icosaground blacktreatment wireframemotion receipts-countpower receiptsinstrument spotlight→A hundred cuts, one source of truthcurate pillar, stats, statsLabels | |||||||
| 8 |  matches intent NodeGraphCard template | step | 49.7–56.7s | kinetic-build | icon·white-knockout | ♪ node_lock | Try it: pick one spring value, wire every element to it, and watch the whole scene move together. on-screen: Do this: drive it from one value |
expected on screen: black ground · a NodeGraphCard panel over a dimmed Signal Field · Signum leads · pipeline · kinetic-build · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id NodeGraphCardvisual pipelineshape icosaground blacktreatment white-knockoutmotion kinetic-buildpower throwinstrument laser-trace→Do this: drive it from one valuecurate hub, nodes, stages, steps | |||||||
| 9 |  matches intent shared field signature-3d | resolve | 56.7–63.300000000000004s | coalescence | icon·wireframe | ♪ bed_out | Motion graphics, now, are something you can re-run forever, not a file you pray you never lose. on-screen: Motion you can re-run forever |
expected on screen: black ground · icosa hero in the shared Signal Field · Signum leads · coalescence · coalescence · icon·wireframe logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual coalescenceshape icosaground blacktreatment wireframemotion coalescencepower coalescenceinstrument coalescence→Motion you can re-run forever | |||||||
Format stack 3 aspects · same scenes[], re-cropped
9:16
1080×1920
Stories · TikTok · YouTube Shorts · Reels
1:1
1080×1080
LinkedIn · Facebook · Instagram
16:9
1920×1080
X/Twitter · YouTube · LinkedIn video
Channels 9 destinations
LinkedInX/TwitterYouTubeInstagramFacebookThreadsTikTokPinterestBluesky
Social captions supplemental published copy · per channel (comp_id level)
tiktokMotion graphics used to take a week per title (AI-assisted now). We write motion AS CODE in React, drive every element from ONE spring value so the scene moves like one breath, and keep it in version control. Change the brand color once, all 100 cuts re-render by morning. #motiongraphics #remotion #animation
instagramMotion as code.
One spring value drives the whole scene.
It moves like one breath.
Change a prop, re-render 100 cuts by morning.
Versioned like software.
#motiongraphics #animation #remotion #design #code
linkedinMotion graphics, now versioned like software. Instead of an artist nudging keyframes for a week, we build the graphic in React and let the library render each frame on demand. A single spring value drives every element so the scene moves as one, and the whole thing lives in version control. Change one prop, like the brand color, and every cut in the set re-renders to match. That's how a hundred channel cuts stay on brand: one source of truth.
xMotion graphics used to take a week. Now we write motion as code in React, drive every element from ONE spring value, and version it. Change the brand color once, 100 cuts re-render by morning.
facebookA short title animation used to cost a week of nudging keyframes by hand. Now we write motion as code in React, drive every element from one spring value so the scene moves like one breath, and keep it in version control. Change the brand color once and every cut re-renders to match by morning. See how in the video.
threadsMotion graphics used to take a week per title. Now: write motion as code in React, drive every element from ONE spring value so it moves like one breath, version it. Change the brand color once, 100 cuts re-render by morning.
pinterestMotion graphics as code: React animation, Remotion video, spring animation, programmatic video, version control for design, batch rendering, brand consistency, code-based motion design. How a hundred channel cuts stay on brand from one source of truth.
blueskyMotion graphics used to take a week. Now: write motion as code in React, drive every element from ONE spring value, version it. Change the brand color once, 100 cuts re-render by morning.
youtubeMotion Graphics as Code: One Spring Value, A Hundred On-Brand Cuts
A short title animation used to cost a week of nudging keyframes by hand. Now we write the motion as code in React and let a library render each frame on demand. A single spring value drives every element so the whole scene moves like one breath, and the project lives in version control. Change one prop, like the brand color, and every cut re-renders to match by morning. One source of truth keeps a hundred channel cuts on brand. AI-assisted, human-judged.