Checklist the per-video bar — engine/sim
86.6/100
quantitative quality · weights learn from your reviews (
engine.sim.memory review social-W29-Fri-1 good|bad)⚠ 3 flag(s) — not yet ship-ready: copy_genericdup_sequence_across_assetsdup_set_across_assets · see docs/strategy/VIDEO-CHECKLIST.md
Composition comp · template family · expected output
9:16 Reelpending1:1 Squarepending16:9 Widepending9:16 4Kpending1:1 4Kpending16:9 4KpendingGIF (SMS)pending
render pending — silent master not yet on disk
expected output: 0/7 rendered — same matrix the /media preview surfaces for this asset.
Composition layer × scene 9 scenes · 66.1s · comp_id + rendered still + tier + the script
| # | Layer (comp_id · still · tier) | Beat | Timecode | Motion | Logo | Audio | VO / on-screen / caption |
|---|---|---|---|---|---|---|---|
| 1 |  matches intent shared field signature-3d | open | 0–7.0s | spatial-parallax | icon·white-knockout | ♪ bed_in | People think a great photo comes from an expensive camera. The camera was never the part that mattered. on-screen: Great photos weren't about the camera |
expected on screen: red ground · octa hero in the shared Signal Field · Lumen leads · node-graph · spatial-parallax · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual node-graphshape octaground redtreatment white-knockoutmotion spatial-parallaxpower summoninstrument summon→Great photos weren't about the camera | |||||||
| 2 |  matches intent shared field signature-3d | hook | 7.0–14.0s | kinetic-build | icon·white-knockout | ♪ node_lock | Soft light and a careful edit do most of the work, long after the shutter has already closed. on-screen: Light and edit do the heavy lifting |
expected on screen: red ground · octa hero in the shared Signal Field · Lumen leads · mark · kinetic-build · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual markshape octaground redtreatment white-knockoutmotion kinetic-buildpower laser-lockinstrument laser-trace→Light and edit do the heavy lifting | |||||||
| 3 |  matches intent NumberedList template | teach | 14.0–22.4s | kinetic-build | icon·liquid-chrome | ♪ node_lock | We shoot in the format that keeps all the raw light, so the edit has room before the colors get baked in. on-screen: Shoot in a format that keeps the |
expected on screen: red ground · a NumberedList panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·liquid-chrome logo · caption bottom-left spec (the prompt): comp_id NumberedListvisual node-graphshape octaground redtreatment liquid-chromemotion kinetic-buildpower morphinstrument morph+laser→Shoot in a format that keeps the datacurate items, nodes | |||||||
| 4 |  matches intent ComparisonTable template | proof | 22.4–30.099999999999998s | receipts-count | icon·white-knockout | ♪ node_lock | Then a model does the tedious cleanup, removing dust specks and stray wires you would squint at for an hour. on-screen: Then a model handles the boring cleanup |
expected on screen: red ground · a ComparisonTable panel over a dimmed Signal Field · Lumen leads · receipts · receipts-count · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id ComparisonTablevisual receiptsshape octaground redtreatment white-knockoutmotion receipts-countpower receiptsinstrument spotlight→Then a model handles the boring cleanupcurate colA, colB, rows, statsLabels | |||||||
| 5 |  matches intent LogStream template | diff | 30.1–38.2s | crossfade-8f | icon·liquid-chrome | ♪ node_lock | The Big T-M does not invent a fake sky. We use the model to clean the truth, not to replace it. on-screen: We use AI to clean, not to |
expected on screen: red ground · a LogStream panel over a dimmed Signal Field · Lumen leads · code · crossfade-8f · icon·liquid-chrome logo · caption bottom-left spec (the prompt): comp_id LogStreamvisual codeshape octaground redtreatment liquid-chromemotion crossfade-8fpower morphinstrument morph→We use AI to clean, not to fakecurate codeLines, rows | |||||||
| 6 |  matches intent ChecklistCard template | teach | 38.2–45.5s | kinetic-build | icon·white-knockout | ♪ node_lock | Fix the color on one good frame, then copy that exact setting to every photo from the same light. on-screen: Set white balance once, batch the rest |
expected on screen: red ground · a ChecklistCard panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id ChecklistCardvisual node-graphshape octaground redtreatment white-knockoutmotion kinetic-buildpower morphinstrument morph+laser→Set white balance once, batch the restcurate items, nodes | |||||||
| 7 |  matches intent KpiGrid template | proof | 45.5–52.5s | receipts-count | icon·liquid-chrome | ♪ node_lock | Now a hundred photos share one honest look, because they all inherited the same correction from the first. on-screen: A hundred photos, one consistent look |
expected on screen: red ground · a KpiGrid panel over a dimmed Signal Field · Lumen leads · receipts · receipts-count · icon·liquid-chrome logo · caption bottom-left spec (the prompt): comp_id KpiGridvisual receiptsshape octaground redtreatment liquid-chromemotion receipts-countpower receiptsinstrument spotlight→A hundred photos, one consistent lookcurate kpis, statsLabels | |||||||
| 8 |  matches intent PipelineMap template | step | 52.5–59.5s | kinetic-build | icon·white-knockout | ♪ node_lock | Try it: shoot in the raw format, color-correct one frame, and copy that setting across the whole set. on-screen: Do this |
expected on screen: red ground · a PipelineMap panel over a dimmed Signal Field · Lumen leads · pipeline · kinetic-build · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id PipelineMapvisual pipelineshape octaground redtreatment white-knockoutmotion kinetic-buildpower throwinstrument laser-trace→Do this: shoot raw, fix one, copy itcurate stages, steps | |||||||
| 9 |  matches intent shared field signature-3d | resolve | 59.5–66.1s | coalescence | icon·white-knockout | ♪ bed_out | Photography was always about seeing the light first. The tools just help you keep what you saw. on-screen: Photography is seeing, then keeping it |
expected on screen: red ground · octa hero in the shared Signal Field · Lumen leads · coalescence · coalescence · icon·white-knockout logo · caption bottom-left spec (the prompt): comp_id shared Signal Fieldvisual coalescenceshape octaground redtreatment white-knockoutmotion coalescencepower coalescenceinstrument coalescence→Photography is seeing, then keeping it | |||||||
Format stack 3 aspects · same scenes[], re-cropped
9:16
1080×1920
Stories · TikTok · YouTube Shorts · Reels
1:1
1080×1080
LinkedIn · Facebook · Instagram
16:9
1920×1080
X/Twitter · YouTube · LinkedIn video
Channels 9 destinations
LinkedInX/TwitterYouTubeInstagramFacebookThreadsTikTokPinterestBluesky
Social captions supplemental published copy · per channel (comp_id level)
tiktokGreat photos were never about the camera (AI-assisted method). Shoot in RAW to keep all the light, let a model clean dust and stray wires (clean the truth, don't fake it), then fix color on ONE frame and copy that setting to the whole set. A hundred photos, one honest look. #photography #photoediting #ai
instagramThe camera was never the point.
Shoot raw to keep the light.
Let AI clean, not fake.
Fix color on one frame, copy it to all.
One honest look across the set.
#photography #photoediting #lightroom #ai #creators
linkedinPhotography, where the camera was never the part that mattered. Soft light and a careful edit do most of the work after the shutter closes. We shoot in the format that keeps all the raw light so the edit has room, then let a model handle the tedious cleanup, removing dust and stray wires rather than inventing a fake sky. We use AI to clean the truth, not replace it. Fix the color on one good frame and copy that exact setting to every photo from the same light, so a hundred photos share one honest look. The tools just help you keep what you saw.
xGreat photos were never about the camera. Shoot RAW to keep the light, let a model clean dust and wires (clean the truth, don't fake it), fix color on ONE frame, copy it to the whole set. One honest look.
facebookPeople think a great photo comes from an expensive camera, but the camera was never the part that mattered. Soft light and a careful edit do most of the work. Shoot in the raw format to keep all the light, let a model clean dust and stray wires (clean the truth, don't fake it), then fix color on one frame and copy that setting across the whole set. A hundred photos, one honest look. More in the video.
threadsGreat photos were never about the camera. Shoot RAW to keep the light, let a model clean dust and stray wires (clean the truth, don't fake it), fix color on ONE frame, copy it to the whole set. One honest look.
pinterestPhotography editing workflow: shoot in RAW, batch white balance, AI photo cleanup, consistent color grade, remove dust and wires, copy settings across photos, photo editing tips. How a hundred photos end up with one honest, consistent look.
blueskyGreat photos were never about the camera. Shoot RAW to keep the light, let a model clean dust and wires (clean the truth, don't fake it), fix color on ONE frame, copy it to the whole set.
youtubePhotography: Shoot Raw, Clean the Truth, Copy One Correction
People think a great photo comes from an expensive camera, but the camera was never the part that mattered. Soft light and a careful edit do most of the work after the shutter closes. Shoot in the format that keeps all the raw light, let a model handle the tedious cleanup (dust, stray wires) rather than faking a sky, then fix color on one good frame and copy that exact setting across the whole set. A hundred photos, one honest look. The tools just help you keep what you saw. AI-assisted, human-judged.