Back Office · office.temerarii.xyz
One asset, all the way in — composition, the wireframe + storyboard, the output format stack, and the template, all read from the SAME content-index record. The expected output matches what /media surfaces for this post.
post social-W25-Tue-1kind threadweek W25date 2026-06-23campaign thread · Tuepillar multimediabeat Tueasset videoduration 49.6sground blackscenes 9

Checklist the per-video bar — engine/sim

98.5/100
plain languagevo coverageno dead airuniquenesscaption fitcompletenesscleanliness
quantitative quality · weights learn from your reviews (engine.sim.memory review social-W25-Tue-1 good|bad)
⚠ 1 flag(s) — not yet ship-ready: copy_generic · see docs/strategy/VIDEO-CHECKLIST.md

Composition comp · template family · expected output

composition SceneReelfamily / template SignalFieldReel
9:16 Reelpending1:1 Squarepending16:9 Widepending9:16 4Kpending1:1 4Kpending16:9 4KpendingGIF (SMS)pending
render pending — silent master not yet on disk
expected output: 0/7 rendered — same matrix the /media preview surfaces for this asset.

Composition layer × scene 9 scenes · 49.6s · comp_id + rendered still + tier + the script

#Layer (comp_id · still · tier)BeatTimecodeMotionLogoAudioVO / on-screen / caption
1s1
matches intent
shared field
signature-3d		open0–6.3sspatial-parallaxicon·white-knockout♪ bed_in
The old way of making a spot meant a full shoot day for one finished ad.
on-screen: Commercials used to cost a whole shoot
expected on screen: black ground · octa hero in the shared Signal Field · Lumen leads · node-graph · spatial-parallax · icon·white-knockout logo · caption bottom-left
spec (the prompt): comp_id shared Signal Fieldvisual node-graphshape octaground blacktreatment white-knockoutmotion spatial-parallaxpower summoninstrument summon→Commercials used to cost a whole shoot
2s2
matches intent
shared field
signature-3d		hook6.3–11.8skinetic-buildicon·wireframe♪ node_lock
Here is where it goes: one shoot becomes many cuts aimed at many places.
on-screen: Soon one shoot becomes many cuts
expected on screen: black ground · octa hero in the shared Signal Field · Lumen leads · mark · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id shared Signal Fieldvisual markshape octaground blacktreatment wireframemotion kinetic-buildpower laser-lockinstrument laser-trace→Soon one shoot becomes many cuts
3s3
matches intent
NumberedList
template		teach11.8–17.3skinetic-buildicon·wireframe♪ node_lock
Shoot loose and wide, then label every clip by what is happening in it.
on-screen: Shoot loose, label every clip
expected on screen: black ground · a NumberedList panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id NumberedListvisual node-graphshape octaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→Shoot loose, label every clipcurate items, nodes
4s4
matches intent
ComparisonTable
template		proof17.3–22.8sreceipts-counticon·wireframe♪ node_lock
Labeled clips let a model snap a fresh cut for each platform in minutes.
on-screen: Labeled clips snap into many spots
expected on screen: black ground · a ComparisonTable panel over a dimmed Signal Field · Lumen leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id ComparisonTablevisual receiptsshape octaground blacktreatment wireframemotion receipts-countpower receiptsinstrument spotlight→Labeled clips snap into many spotscurate colA, colB, rows, statsLabels
5s5
matches intent
JsonDiff
template		diff22.8–28.0scrossfade-8ficon·wireframe♪ node_lock
Not one ad, but every aspect and length pulled from the same footage.
on-screen: One shoot, every aspect, every length
expected on screen: black ground · a JsonDiff panel over a dimmed Signal Field · Lumen leads · code · crossfade-8f · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id JsonDiffvisual codeshape octaground blacktreatment wireframemotion crossfade-8fpower morphinstrument morph→One shoot, every aspect, every lengthcurate codeLines, fileName, lines
6s6
matches intent
ChecklistCard
template		teach28.0–33.9skinetic-buildicon·wireframe♪ node_lock
You hold the core story and let only the pacing and crop change per place.
on-screen: Hold the story; vary the cut
expected on screen: black ground · a ChecklistCard panel over a dimmed Signal Field · Lumen leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id ChecklistCardvisual node-graphshape octaground blacktreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→Hold the story; vary the cutcurate items, nodes
7s7
matches intent
KpiGrid
template		proof33.9–39.1sreceipts-counticon·wireframe♪ node_lock
Same heart in every cut, shaped to how each feed wants to watch.
on-screen: Same heart, a fit for each feed
expected on screen: black ground · a KpiGrid panel over a dimmed Signal Field · Lumen leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id KpiGridvisual receiptsshape octaground blacktreatment wireframemotion receipts-countpower receiptsinstrument spotlight→Same heart, a fit for each feedcurate kpis, statsLabels
8s8
matches intent
AnnotatedDiagram
template		step39.1–44.1skinetic-buildicon·wireframe♪ node_lock
Shoot loose, label your clips, then let the model recut per platform.
on-screen: Shoot loose, label clips, let AI recut
expected on screen: black ground · a AnnotatedDiagram panel over a dimmed Signal Field · Lumen leads · pipeline · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id AnnotatedDiagramvisual pipelineshape octaground blacktreatment wireframemotion kinetic-buildpower throwinstrument laser-trace→Shoot loose, label clips, let AI recutcurate callouts, stages, steps
9s9
matches intent
shared field
signature-3d		resolve44.1–49.6scoalescenceicon·white-knockout♪ bed_out
The Big T-M turns one shoot into many spots instead of one and done.
on-screen: The Big T-M makes many cuts
expected on screen: black ground · octa hero in the shared Signal Field · Lumen leads · coalescence · coalescence · icon·white-knockout logo · caption bottom-left
spec (the prompt): comp_id shared Signal Fieldvisual coalescenceshape octaground blacktreatment white-knockoutmotion coalescencepower coalescenceinstrument coalescence→The Big T-M makes many cuts

Format stack 3 aspects · same scenes[], re-cropped

9:16
1080×1920
Stories · TikTok · YouTube Shorts · Reels
1:1
1080×1080
LinkedIn · Facebook · Instagram
16:9
1920×1080
X/Twitter · YouTube · LinkedIn video

Channels 9 destinations

LinkedInX/TwitterYouTubeInstagramFacebookThreadsTikTokPinterestBluesky

Social captions supplemental published copy · per channel (comp_id level)

tiktokWhere commercials are heading (AI-assisted): one shoot becomes many cuts. Shoot loose, label every clip by what's happening, then let a model recut for each platform. Same story, every aspect and length. #commercial #videoproduction #adcreative
instagramOne shoot. Many cuts. Shoot loose, label every clip. AI recuts for each platform. #commercial #videoproduction #adcreative #filmmaking #marketing
linkedinA commercial no longer has to mean one finished ad per shoot day. The coming method: shoot loose and wide, label every clip by content, then let a model assemble a fresh cut for each platform and length. The takeaway: hold the core story, vary only the crop and pacing per place.
xSoon one shoot = many ads. Shoot loose, label every clip, let a model recut per platform. Same story, every aspect and length. temerarii.xyz
facebookA full shoot day used to make one finished commercial. The shift coming: shoot loose, label every clip, and let AI recut a fresh version for each platform and length. Same story, many cuts. See how on the site.
threadsSoon a single shoot becomes dozens of ads. Shoot loose and label every clip by what's in it, then let a model recut per platform and length. You hold the story, the cut flexes.
pinterestAI video production method: shoot one commercial loose and wide, label every clip, then let a model recut a fresh version for each platform and length. Video production tips, ad creative strategy, commercial filmmaking.
blueskySoon one shoot = many ads. Shoot loose, label clips, let a model recut per platform. Same story, every length. temerarii.xyz
youtubeOne Shoot, Many Ads: The Future of Commercials A full shoot day used to yield one finished spot. We walk through the coming method: shoot loose and wide, label every clip by what is happening, then let a model assemble a fresh cut for each platform and length. Hold the core story, vary only the crop and pacing.

Cross-links every lens is a view on this one record

→ Wireframe · scenes→ Calendar week→ Media (audience preview)→ Storyboard hub→ Day view→ Channel view