Back Office · office.temerarii.xyz
One asset, all the way in — composition, the wireframe + storyboard, the output format stack, and the template, all read from the SAME content-index record. The expected output matches what /media surfaces for this post.
post social-W24-Tue-1kind threadweek W24date 2026-06-16campaign thread · Tuepillar brandbeat Tueasset videoduration 54.8sground whitescenes 9

Checklist the per-video bar — engine/sim

98.5/100
plain languagevo coverageno dead airuniquenesscaption fitcompletenesscleanliness
quantitative quality · weights learn from your reviews (engine.sim.memory review social-W24-Tue-1 good|bad)
⚠ 1 flag(s) — not yet ship-ready: copy_generic · see docs/strategy/VIDEO-CHECKLIST.md

Composition comp · template family · expected output

composition SceneReelfamily / template SignalFieldReel
9:16 Reelpending1:1 Squarepending16:9 Widepending9:16 4Kpending1:1 4Kpending16:9 4KpendingGIF (SMS)pending
render pending — silent master not yet on disk
expected output: 0/7 rendered — same matrix the /media preview surfaces for this asset.

Composition layer × scene 9 scenes · 54.8s · comp_id + rendered still + tier + the script

#Layer (comp_id · still · tier)BeatTimecodeMotionLogoAudioVO / on-screen / caption
1s1
matches intent
shared field
signature-3d		open0–5.2sspatial-parallaxicon·color♪ bed_in
Most motion graphics move for no reason, and the eye gets tired fast.
on-screen: Motion that moves for no reason
expected on screen: white ground · icosa hero in the shared Signal Field · Signum leads · node-graph · spatial-parallax · icon·color logo · caption bottom-left
spec (the prompt): comp_id shared Signal Fieldvisual node-graphshape icosaground whitetreatment colormotion spatial-parallaxpower summoninstrument summon→Motion that moves for no reason
2s2
matches intent
shared field
signature-3d		hook5.2–11.100000000000001skinetic-buildicon·wireframe♪ node_lock
Here is how The Big T-M makes every move carry a piece of the message.
on-screen: Make every move mean something
expected on screen: white ground · icosa hero in the shared Signal Field · Signum leads · mark · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id shared Signal Fieldvisual markshape icosaground whitetreatment wireframemotion kinetic-buildpower laser-lockinstrument laser-trace→Make every move mean something
3s3
matches intent
NumberedList
template		teach11.1–17.7skinetic-buildicon·wireframe♪ node_lock
Pick the one idea per shot, then animate that idea, not every layer you happen to have.
on-screen: Animate the meaning, not the layer
expected on screen: white ground · a NumberedList panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id NumberedListvisual node-graphshape icosaground whitetreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→Animate the meaning, not the layercurate items, nodes
4s4
matches intent
RankList
template		proof17.7–25.4sreceipts-counticon·wireframe♪ node_lock
The proof is the easing: a real object speeds up and slows down, and the brain trusts what obeys physics.
on-screen: Ease tells the brain it is real
expected on screen: white ground · a RankList panel over a dimmed Signal Field · Signum leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id RankListvisual receiptsshape icosaground whitetreatment wireframemotion receipts-countpower receiptsinstrument spotlight→Ease tells the brain it is realcurate rows, statsLabels
5s5
matches intent
StackTrace
template		diff25.4–31.299999999999997scrossfade-8ficon·wireframe♪ node_lock
The old way was keyframing everything by hand until the timeline looked like a barcode.
on-screen: Old way: keyframe everything
expected on screen: white ground · a StackTrace panel over a dimmed Signal Field · Signum leads · code · crossfade-8f · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id StackTracevisual codeshape icosaground whitetreatment wireframemotion crossfade-8fpower morphinstrument morph→Old way: keyframe everythingcurate codeLines, errMsg, errType, fix, frames
6s6
matches intent
ChecklistCard
template		teach31.3–38.3skinetic-buildicon·wireframe♪ node_lock
Now you build the piece as code once, then re-render every size and length from the same source.
on-screen: Build it once as a component
expected on screen: white ground · a ChecklistCard panel over a dimmed Signal Field · Signum leads · node-graph · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id ChecklistCardvisual node-graphshape icosaground whitetreatment wireframemotion kinetic-buildpower morphinstrument morph+laser→Build it once as a componentcurate items, nodes
7s7
matches intent
StatScoreboard
template		proof38.3–43.5sreceipts-counticon·wireframe♪ node_lock
The receipt is consistency: nine formats that all came from one honest cut.
on-screen: Nine formats, one true cut
expected on screen: white ground · a StatScoreboard panel over a dimmed Signal Field · Signum leads · receipts · receipts-count · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id StatScoreboardvisual receiptsshape icosaground whitetreatment wireframemotion receipts-countpower receiptsinstrument spotlight→Nine formats, one true cutcurate pillar, stats, statsLabels
8s8
matches intent
ProcessFlow
template		step43.5–49.8skinetic-buildicon·wireframe♪ node_lock
Cut on the beat of the audio, then hold the final frame so the message lands.
on-screen: Cut on the beat, hold the end
expected on screen: white ground · a ProcessFlow panel over a dimmed Signal Field · Signum leads · pipeline · kinetic-build · icon·wireframe logo · caption bottom-left
spec (the prompt): comp_id ProcessFlowvisual pipelineshape icosaground whitetreatment wireframemotion kinetic-buildpower throwinstrument laser-trace→Cut on the beat, hold the endcurate stages, steps
9s9
matches intent
shared field
signature-3d		resolve49.8–54.8scoalescenceicon·color♪ bed_out
Motion is a servant of the story, never the star.
on-screen: Motion serves the story
expected on screen: white ground · icosa hero in the shared Signal Field · Signum leads · coalescence · coalescence · icon·color logo · caption bottom-left
spec (the prompt): comp_id shared Signal Fieldvisual coalescenceshape icosaground whitetreatment colormotion coalescencepower coalescenceinstrument coalescence→Motion serves the story

Format stack 3 aspects · same scenes[], re-cropped

9:16
1080×1920
Stories · TikTok · YouTube Shorts · Reels
1:1
1080×1080
LinkedIn · Facebook · Instagram
16:9
1920×1080
X/Twitter · YouTube · LinkedIn video

Channels 9 destinations

LinkedInX/TwitterYouTubeInstagramFacebookThreadsTikTokPinterestBluesky

Social captions supplemental published copy · per channel (comp_id level)

tiktokMost motion graphics move for no reason and tire the eye. Method: animate the MEANING, not every layer. Use real easing so the brain trusts it. Build it as code once, re-render every size. AI-assisted production. Method below.
instagramMotion should mean something. Animate the idea, not the layer. Use real easing. Build once, render every size. Cut on the beat. #motiongraphics #animation #design #motiondesign #temerarii
linkedinMost motion graphics move for no reason, and the viewer's eye tires fast. The approach we use: pick one idea per shot and animate that idea, not every layer; use real easing so the motion obeys physics and the brain trusts it; and build the piece as code once so every size and length re-renders from one source. Takeaway: motion is a servant of the story, never the star.
xMost motion graphics move for no reason. Animate the meaning, not the layer → use real easing → build it as code once → re-render every size → cut on the beat. Motion serves the story. temerarii.com
facebookMost motion graphics move for no reason and tire the eye. Here's the move: animate the one idea per shot, not every layer; use real easing so the motion obeys physics and the brain trusts it; and build the piece as code once so every size re-renders from one source. Cut on the beat and hold the last frame. Want the motion method? It's on the site.
threadsMost motion graphics move for no reason. Animate the meaning, not every layer. Use real easing so it obeys physics. Build it as code once, re-render every size. Motion serves the story.
pinterestMotion graphics design: how to animate meaning over layers, use easing for believable motion, build reusable code-based components, and cut on the beat. Plain-language motion design guide for designers and brands.
blueskyMost motion graphics move for no reason. Animate the meaning not the layer, use real easing, build it as code once, re-render every size. Motion serves the story. temerarii.com
youtubeMotion Graphics: Make Every Move Mean Something Most motion graphics move for no reason and tire the eye. This walkthrough shows the approach: animate one idea per shot instead of every layer, use real easing so motion obeys physics and the brain trusts it, build the piece as code once so every size and length re-renders from one source, and cut on the beat. AI-assisted production. Give-it-away method from The Big T-M. Chapters: motion with no reason · animate the meaning · easing · build once · cut on the beat.

Cross-links every lens is a view on this one record

→ Wireframe · scenes→ Calendar week→ Media (audience preview)→ Storyboard hub→ Day view→ Channel view